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T.M.

Tyler Mallison

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NTIME

Medium

Painting

Year

2020 – 2024 (ongoing)

Exhibitions

Turps Gallery, London / Thames-Side Gallery, London / York Art Gallery / 31 Wooler Street SE17

'Just notice without judgement.'

'It's as much about painting, as it is about everything.'

‘What you see is what you can and cannot see’ (In response to F. Stella)

—Tyler Mallison, 2020-2021

—————

Synthetic polymer, pigment and graphite pencil on canvas, 150 x 100cm

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Image of three paintings on canvas from the 'NTIME' series by Tyler Mallison, selected for the Aesthetica Art Prize 2023

Image of three paintings on canvas from the 'NTIME' series by Tyler Mallison, selected for the Aesthetica Art Prize 2023

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ painting by Tyler Mallison. It is modern, abstract and minimal. It’s very light with low contrast and takes time to see fully with the human eye. It seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

Detail view of ‘NTIME’ painting by Tyler Mallison. The surface is subtle and low contrast. It reveals a high level of material complexity on close inspection, including faint graphite pencil lines and bits of pigment.

‘NTIME’ painting by Tyler Mallison mounted on a white wall in an art gallery with grey floor. The painting is modern, abstract, minimal, very light and with low contrast. It takes time to see fully with the human eye and seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing. There is another brightly painted artwork to the left that’s orange and yellow.

‘NTIME’ painting by Tyler Mallison mounted on a white wall in an art gallery with grey floor. The painting is modern, abstract, minimal, very light and with low contrast. It takes time to see fully with the human eye and seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing. There is another brightly painted artwork to the left that’s orange and yellow.

‘NTIME’ painting by Tyler Mallison mounted on a white wall in an art gallery with grey floor. The painting is modern, abstract, minimal, very light and with low contrast. It takes time to see fully with the human eye and seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ painting by Tyler Mallison mounted on a white wall in an art gallery with grey floor. The painting is modern, abstract, minimal, very light and with low contrast. It takes time to see fully with the human eye and seems mysterious and elusive. It could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ paintings by Tyler Mallison mounted on white walls in an art gallery with plywood floor. The paintings are modern, abstract, minimal, very light and with low contrast. They take time to see fully with the human eye and seems mysterious and elusive. They could be superficially interpreted as being a window, digital screen, shadow or drawing.

‘NTIME’ paintings by Tyler Mallison mounted on white walls in an art gallery with plywood floor. The paintings are modern, abstract, minimal, very light and with low contrast. They take time to see fully with the human eye and seems mysterious and elusive. They could be superficially interpreted as being a window, digital screen, shadow or drawing.

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