Taking inspiration from Martin Creed’s controversial Turner Prize-winning piece Work No 227, Minimalism and science fiction phenomena such as time travel, the exhibition delves into ideas of inverted and metaphorical spaces that re-cast relationships between light and darkness and finite and infinite space. Curated by Ismail Erbil


The exhibition features a triptych from ‘Shadow of my former Self’ (2013) and site-specific installation of ‘Vague Impressions’ (2013), along with two sculptures from ‘Cast Offs (Solemn Alchemy) (2013).

Artists include Martyna Anna Benedyka, Alexandra Drawbridge, Ismail Erbil, Micha Eden Erdesz, Robert Hitzeman, Louisa Mahony, Antonio Marguet , Patrick Michalopoulos, Tyler Mallison, William O’donnell, Marion Sagon, Karen Tang, Kazuya Tsuji.

Schwartz Gallery
Schwartz Wharf
92 White Post Lane
Ground Floor, Building 2
London, E9 5EN